Junaid Jamshed - Pakistani Pop Icon
By
Ambareen Imran
Courtsey of HiPakistan.com
Junaid
Jamshed is a Pakistani pop icon who makes cheerful, infectious music. Along
with Rohail and Shahzad. Junaid has reached out to Pakistanis across the board,
and touched them with his Vital Signs, and their message of hope for peace,
progress, and prosperity.
Born on September 3, 1964 at the Pakistan Air Force Base Masroor, Junaid comes
from a privileged background, which has imbued him with a strong sense of patriotism
and the need for enterprise.
A mechanical engineer from the University of Engineering and Technology in Lahore,
Junaid demonstrated his entrepreneurial spirit by abandoning a tried and tested
profession in preference to sailing in uncharted, often icy waters as a professional
musician. Ten years down the road he has absolutely no regrets. Junaid is happily
married with three children, and possesses all the trappings of a successful
professional.
Recently Junaid seemed to have shifted from the world of lights to spiritualism.
Has Junaid found any contradiction, any conflict between his chosen profession
and the tenets of Islam?
"There is still confusion in my mind on that score," says Junaid.
"Nobody has come right out and stopped me. When I was in Raiwind I met
a learned elder who asked me what I did for a living. I kept quiet. My friend
told him that I was a well-known musician. He smiled at me, and said that a
Muslim's distinction is that he rises to the top of whatever profession he chooses.
The tension and apprehension that had been developing inside me disappeared
after hearing that, and I really felt good." He admits that when he returned
from Raiwind there was a serious debate within him as to whether he should give
up music, or continue with it.
"Then Imran Bhai (former cricket captain turned crusader) called me. "Don't
alienate your friends and fans by making too radical a move which they can't
relate to", he said. He told me about how his good intentions and patriotic
feelings towards the shalwar-kameez had brought on wholly unreasonable censor.
He said if I went public with my new convictions I might actually impact the
public negatively." Junaid has thought long and hard about all the contradictions
in his life, and he admits that he is a long way from reconciling them to his
satisfaction.
Has he had problems handling his success?
"Most definitely," says he. "The first two years of my marriage
were pretty tense, to put it mildly. Success brings with it conflict, and conflict
invariably gives rise to conflict resolutions. I managed to ride out the early
storms in my career. Not to say that it has been a smooth ride since."
Does his life now have a new objective, a new direction?
"In very general terms, yes. It revolves around how I can favorably impact
my immediate environment and society. That, in a nutshell, I feel is the essence
of Islam." His group leader would emphasize a few points repeatedly, he
says. One of them was that if you see something bad about a person, immediately
look to your own shortcomings. So, before criticizing somebody else set your
own self-right. The second point was that if somebody offends you in any way,
forgive him immediately. The third point was to lend a helping hand to those
in need. "Raiwind was a priceless exercise in self-empowerment. You try
and better your own self. You don't try and change the world overnight."
Does this new awareness alienate him from society, considering that society
in general is in such bad shape?
Junaid appears to have his priorities right. "All I know is that on the
Day of Judgement I will be answerable for my own actions. Allah will not forgive
me for doing wrong just because everyone else was doing wrong." As a role
model does he not feel that it should be part of his agenda to change the world
for the better? "First I must change myself before I can even begin to
think in terms of changing the world. Having said that, I am very aware of my
responsibilities as a role model. In my ten years of public life with the band,
my colleagues and I have not done anything to disarray the minds of our fans.
That is also true of the entire pop industry in Pakistan. Nothing about our
personal conduct has had a detrimental effect upon the minds of the kids."
And how does he view the Prime Minister's assault upon the very roots of his
profession?
"When I returned from Raiwind I was told that the Prime Minister had said
that he would personally like to cut the hair of the person who had sung Dil
dil Pakistan. At that time, as it is, I had short-cropped hair! What's wrong
with long hair anyway? Long hair is sunnat. I was also told that I had endorsed
the PM's ban on pop music! I was simply stunned. I had said no such thing."
Junaid is saddened by the thought that his many years of loyalty and patriotism
should result in this. Sometimes the entire exercise appears pointless and futile
to him. "It appears to be our fate to sing patriotic songs and pump up
the public's emotions. It appears to be the public's fate to listen to our patriotic
songs and continue to make sacrifices. And it appears
to be our leaders' job to rob and loot the public while it is seized with patriotic
fervor. In spite of this realization and cynicism I have continued making patriotic
songs because I feel very strongly about this country."
It surprises him that the PM could have said something like this. In fact he
does not believe that Mian Sahib could have said something like this. It is
just a warped trial balloon attributed to him. But the PM has not denied it
either. "He has not denied it because there is nobody, who has challenged
what he has said," says Junaid, convinced that the PM's viewpoint has been
misrepresented.
And what about the PM's condemnation of the jeans and the jackets in our culture,
even though denim originated as a durable, practical working classes dress?
"Those who wear jeans and jackets, and appear to ape the West, comprise
a fraction of the nation's population. I am sure that they would go along with
the PM if he appealed to their intelligence, and presented worthy
shalwar-kameez role models, instead of making arbitrary pronouncements."
Returning to his brush with spirituality, when and how did he get started in
this direction?
"This process, if you would like to call it that, began in October 1995.
Before then my experience with religion was more or less restricted to the Friday
prayer congregation in the mosque." There Junaid would listen to talk about
the Hereafter, and how everyone would leave all their material possessions behind.
"I would like to emphasize here that what I am doing is narrating a personal
experience," says Junaid with a fair bit of concern. "It is not my
intention to preach and perhaps
offend some people. Religion is a very personal matter." Junaid
has a friend who is a very pious, religious man. He was his schoolmate, and
is just like him for all practical purposes, even his name is Junaid. His friend
never insisted that he conforms to his viewpoint, but he got him thinking and
started him off on a tentative voyage of discovery.
Initially he had problems since people used to recognize him in such gathering
in spite of his glasses and beard. Finally he began covering his face, but that
only made matters worse since he would be the only one in the congregation with
a covered face. He began staying inside the mosque for lengthy spells. The village
kids would find out sooner than later, and swarm the mosque, much to his group
leader's irritation. "In those forty days I learnt a great deal. In fact,
I would go so far as to say that my entire life's experiences do not add up
to a fraction of what I learnt in those forty days."
And what of Junaid's future plans?
Making material for Channel V (minus the half-naked dancing girls, naturally),
and a determined assault on foreign markets is high on the agenda, along with
doing a new album. "It has been almost three years since our last album,
and we would like to go with a foreign label this time so as to increase our
outreach in the global village. We have a new contract with Pepsi, and we are
looking to doing more 'live' concerts, both at home and overseas."
The guitar, the drums, the saxophone, and all the other instruments related
to the pop music industry have assumed the proportions of modern day weapons
of peacetime warfare in the global village. More power to Junaid and the Vital
Signs in their high tech, sophisticated crusade.